The Bournemouth, England-based duo of Caroline Crawley and Jemaur Tayle made fanciful and complex pop music in the 1980s and ’90s, and brushed up against more famous shoulders (the Cure, This Mortal Coil) on their road to eternal obscurity.Ĭontemporaries the Sundays have “Here’s Where the Story Ends”, Mazzy Star have their “Fade Into You”, but Shelleyan Orphan can’t even hang their hats on a song that might turn up on a show like Nina Blackwood’s New Wave Nation. It has been 20 years since the release of no-hit wonder Shelleyan Orphan’s shimmering and beautiful album Century Flower. And I was suddenly seized with a fever to run home and listen to some Shelleyan Orphan Thankfully we live in the age of the internets, so I can just Google them rather than trudge through the milk-crates of vinyl in my mother’s garage, which have no doubt fallen prey to spiders and mildew and Mom’s random Goodwill donation sprees. The song put me in mind of the female vocalists of my youth, all the Clare Grogans (Altered Images), the Hope Sandovals (Mazzy Star), the Margo Timminses (Cowboy Junkies). Sitting in a coffee shop the other day, I heard “Lloyd, I’m Ready to Be Heartbroken” by Camera Obscura, and while I knew the song, I couldn’t immediately recall if it was from a recent listen or something from high school.
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